Tuesday, November 12, 2013

With the world seeming to be in such a bad time, there is such a bad time to give you all Le Pétomane!


With the world seeming to be in such a bad time, there is
such a bad time to give you all Le Pétomane!
Thank you!

Le Pétomane was the stage name of the French flatulist (professional farter) and entertainer Joseph Pujol (June 1, 1857–1945). He was famous for his remarkable control of the abdominal muscles, which enabled him to seemingly fart at will. His stage name combines the French verb péter, "to fart" with the -mane, "-maniac" suffix, which translates to "fartomaniac". The profession is also referred to as "flatulist", "farteur", or "fartiste".

It is a common misconception that Joseph Pujol actually passed intestinal gas as part of his stage performance. Rather, Pujol was able to "inhale" or move air into his rectum and then control the release of that air with his anal sphincter muscles. Evidence of his ability to control those muscles was seen in the early accounts of demonstrations of his abilities to fellow soldiers.

Joseph Pujol was born in Marseilles, one of 5 children stonemason/sculptor François Pujol and his wife Rose. Soon after Pujol left school, he had a strange experience while swimming in the sea. He put his head under the water and held his breath, whereupon he felt an icy cold penetrating his rear. He ran ashore in fright and was amazed to sense water pouring from his anus. A doctor assured him that there was nothing to worry about.

When he served in the army. he told his fellow soldiers about his special ability, and repeated it for their amusement, sucking up water from a pan into his rectum and then projecting it up to several yards. He found that he could suck in air as well. A baker, Pujol would sometimes entertain his customers by imitating musical instruments, and claim to be playing them behind the counter. Pujol decided to try the stage, and debuted in Marseilles in 1887. When his act was well recevied, he moved to Paris, where he appeared at the Moulin Rouge in 1892.

Some of the highlights of his stage act involved sound effects of cannon fire and thunderstorms, as well as playing "'O Sole Mio" and "La Marseillaise" on an ocarina through a rubber tube in his anus. He could also blow out a candle from several yards away. His audience included Edward, Prince of Wales; King Leopold II of the Belgians; and Sigmund Freud.

In 1894, the managers of the Moulin Rouge sued Pujol for an impromptu exhibition he gave to aid a friend struggling with economic difficulties. Pujol was fined 3,000 francs, and the Moulin Rouge lost their star attraction as the disagreement led him to set up his own travelling show called the Theatre Pompadour.

In the following decade Pujol tried to 'refine' and make his acts 'gentler'; one of his favourite numbers became a rhyme about a farm which he himself composed, and which he punctuated with the usual anal renditions of the animals' sounds.

With the outbreak of World War I, Pujol, horrified by the inhumanity of the conflict, retired from the stage and returned to his bakery in Marseilles. Later he opened a biscuit factory in Toulon. He died in 1945, aged 88, and was buried in the cemetery of La Valette-du-Var, where his grave can still be seen today. The Sorbonne offered his family a large sum of money to study his body after his death, but they refused the offer.
( http://en.wikipedia.org/wiki/Le_P%C3%A9tomane )
( http://thehumanmarvels.com/104/le-petomane-the-fartiste/talents

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